1/30/07
Catmasutra - Alter ego and Portrait of a Cat
1/11/07
Catmasutra II - Cat's Sutra
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Hmm… I have always been fascinated by the rain, probably because I used to watch the rain together with my cat in the yard. It’s an old terrace house in Serangoon Gardens that my grandmother and father bought, with a covered but open-air kitchen. This led out to the yard where we had a two-seater swing and bamboo poles to hang out the laundry. My dad once dug out a small garden, and planted papaya trees, but closed it up soon after. “Man builds, man destroys” Haha – a quote from my dad. When the rain came pelting down, we would either play in the rain, drop paper boats into the longang (monsoon drain), or stay indoors; If I was lucky, my cat would be in the kitchen yard as well, watching the rain.
There’s an ethereal quality about the raining, the chief chef’s secret ingredients all thrown into the pot – a bittersweet assortment of foreboding, redemption, and contentment. It’s raining again today as it was. I was experimenting with the natural flow of water in this painting, to re-create the effect of rain in the background. Amidst the storm, the cat remains sheltered looking at the world with its wide grin. I painted the background first, dripped diluted white paint down the canvas and watched the raining ;). This is the third Buddha painting I did for the Catmasutra series, with the previous two done in Catmasutra 2005. I can't help but feel a connection between the way a cat "meditates" (when it's just sitting there comfortably... surveying what goes on) and the statuesque presence of Buddha. Perhaps it's the moment of "be" where everything is what it is supposed to be - there at that precise moment…
1/9/07
Catmasutra III - Cloud 9
"Cloud 9" is based on the longitudinal sleeping position of Angel (Russian Blue cat). It has a long body and he's definitely not shy in posing and showing off. Halo, on the other hand sleeps like there's no tomorrow, and she's getting fatter and rounder. Most of my paintings are based on the looks of Halo but the personality of Angel. The clouds are a favorite motif of Rene Magritte, and I can't resisit painting Angel/Halo sleeping on them. Just feel too damn comfortable. Haha now I feel like sleeping too...
Didn't really take any photos for Catmasutra III, but good thing I found a site which did - Haha - Here's the link if you want to take a look...at sparklette.net Thanks for the photos...
Vampire Days - Nine Lives
"Vampire Days - Nine Lives", one of two pieces left from 2006 Catmasutra III Art exhibition, departs significantly from the rest of the collection. First of all, there're no cats (Haha) except for what the title implies. Inspired by one of my favorite movies "Interview with the Vampire", this smaller painting measuring 18 by 18 inches is a rare "mood" piece depicting the dark places we sometimes find ourselves in. Anne Rice breathed new life into the archetypal vampire myth, exploring the condition of immortality and the reality of death in varying nuances. “Nine lives” a common folklore of cats alludes to the cycles of a lifetime, how when one dies another begins. Transformation is another key theme in this painting akin to the rapture and awakening of a vampire. The “vampire tooth” shows this transformation and struggle to find the beginning of a new cycle (also based on the likeness of my Russian blue cat and its vampire-looking tooth sticking out from one corner of his mouth, and not to mention its insatiable appetite for anything you might be eating in his presence!). Haha - a good friend of mine also has vampire teeth sticking out of the corners of her mouth! Here’s to the end of everything bad in 2006 and the beginning of promise in 2007.
1/6/07
Catmasutra iii - Drunk.Punch.Love
Two more of my favorite pieces were sold - "Drunk.Punch.Love" and today, "Dancers" which I was just musing over yesterday! Drunk.Punch.Love, the title was based on the movie "Punch-Drunk Love" starring Adam Sandler and Emily Watson. It won the Best Director prize at the 2002 Cannes Film Festival, and is about "...this misfit love story of disconnected people trying to find one another in an antagonistic world... a comedy of discomfort and rage that turns unexpectedly sweet and pure". It was a departure from the kind of movie that Sandler normally does, and I really liked the film when I saw it. It has an "Art Film" feel and pacing to it, and it leaves you with a "pleasing, unplaceable sensation...". This is the same with this Catmasutra piece, full of contradictions, both sweet and bitter, both happy and sad, but intrinsically, it's about the certain sweetness on the surface, and in this case, a kind of candy coating that lets us roll with life's punches, that allows us to swallow the bitter pills a little bit more easily. The concept of the painting was inspired by Damien Hurst "Untitled" piece done in 1996 using gloss household paint and butterflies on canvas. The fate of the beautiful butterflies caught in candy juxtapose the bittersweet condition of life; We need to know one in order to know the other....
1/4/07
catmasutra II - The dancers & core of apple
1/2/07
Catmasutra says Hello 2007!
Thanks to all who loved and supported the latest Catmasutra (III) painting exhibition which recently concluded on Christmas eve 2006.
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